I've been reading a lot lately about what makes a game a hit. While contemplating the factors of success in game design, the mathematician in me immediately wants to consider the counter-example: What makes a game a disappointment?
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| Image courtesy of Hasbro |
One game that virtually never gets played in my house any more is
Monopoly (designer
Charles Darrow *, publisher
Hasbro). The over-riding reasons that
Monopoly draws an inevitable veto in my house are that "it takes too long" and "it's just not fun." These valid criticisms beg obvious follow-on questions: What exactly is it about
Monopoly's design that makes it take too long? And what makes it "not fun" (at least to some)? Perhaps investigating these questions can help sharpen the definition of what makes a game a disappointment, and therefore help to delineate the limits of a successful design.
[Now, we have to keep in mind that
Monopoly is the best-selling boardgame of all time, a consideration that I will entertain in another post.]
What makes
Monopoly take too long? The game-ending condition is, frankly, merciless: The game ends when all players but one have run out of money. This characteristic brings to mind the original
Risk, also lengthy because it demands conquest of the entire map to end the game. In the case of
Monopoly, there are other factors that serve to perpetuate the game as well. The number of developed monopolies that players build will drive the pace of the game. If there are too few monopolies, people end up moving around the board paying small amounts of rent and collecting $200 at every "Go." In that case, the total amount of money in play can gradually increase for everybody, and nobody approaches bankruptcy. By contrast, several high-rent monopolies on the board will drive people to bankruptcy quickly; so once players start building houses and hotels in earnest, sooner or later, somebody is going to go under.
Why isn't
Monopoly fun (for some people)? First, I have hinted several times that I am not fond of player-elimination games. If the intent of playing a game is to have fun as a group, then excluding people one by one from the game leaves some individuals out of the action while others continue to play. That works fine in a serious competition or tournament, but not for a social event. We have a house rule - when I can con my family into playing
Monopoly at all - that once the first player goes bankrupt, the game is over, and the person with the most money (cash+property) wins. With this house rule in force, when the game is over for one person, it's over for everybody - which addresses both the game length and the player-elimination problems.
My father-in-law pointed out a second aspect of
Monopoly that he doesn't like that can be summarized as "the runaway leader problem." If one person is lucky enough to acquire and develop a monopoly long before anyone else, he can develop a commanding lead, to the point that no one can do any serious damage to him, and everyone else will be unable to develop their own monopolies or go bankrupt trying to do so. The game becomes an exercise in inevitability - watching one real estate empire swallow up all the little guys.
A third reason that
Monopoly can fail to be fun is that it often devolves into a long series of roll-and-move with no serious decision-making. In the early game, players roll and move to acquire property with no real thought required. In the mid-game, as players assemble monopolies, they face decisions regarding how many houses to build
vs. how much cash to keep in reserve. But once everybody's property is fully developed, the game boils down to one of dice luck - I win if you land on my hotels before I land on yours. If most of the game is dice luck, it becomes a laborious version of
Chutes and Ladders.
But I think there's more to the game than that. I've come to realize that
Monopoly is a game of property valuation. Once players decide that obtaining a monopoly - and especially, being the first player to obtain a monopoly - is the key to winning, then trading becomes very important. And therein lies the crux of the game. If I offer you Boardwalk and you already have Park Place, what do I demand in return? What should I be willing to give up for Mediterranean Avenue if I have Baltic Avenue? Should I take my opponent's cash reserve into account if the deal gives him or her a monopoly on which to build houses?
Once these deals are made, then the real estate landscape is in place, and your rent-collection profile is a product of the way you valued the property you took
vs. the property you gave up. But again, at that point, once all the deals are done and everybody has reached an equilibrium point, we're back to dice luck. Who lands on whose property first?
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Settlers of Catan, the quick, fun
barter-economy game |
That got me thinking about
Settlers of Catan, a barter-economy development game that is eminently enjoyable and is certainly not a game that takes too long. That game ends when one player has built up to a certain number of points. Is there a way to translate that concept to
Monopoly, so that I can declare a winner just based on who reaches a certain "tipping point" in development first?
Let's consider what that "tipping point" might look like: If a player owned all the property on the board, the highest revenue configuration of 12 hotels and 32 houses would be hotels on the dark blue, green, yellow, and red monopolies and New York Avenue, and four houses each on Tennessee Avenue, St. James Avenue, the violet monopoly, and the light blue monopoly. In that configuration, the total rent for all property on the board would be $20,802. It might be reasonable to expect that if one player achieves half that revenue potential, then the game is close to a foregone conclusion.
So perhaps a new game-ending victory condition would be if any player achieves a total rent of $10,400 across all owned property. I haven't playtested this idea, but it might serve to make the end-game a little more merciful.
What started this essay as a consideration of perceived design flaws led to an idea to tweak a time-tested popular game. The fact that Hasbro managed to make fundamental improvements to
Risk (discussed in a
previous post) suggests that even the best-selling games might bear changes to fix the most compelling complaints.
*Although Hasbro lists Charles Darrow as the sole designer, there is significant research to suggest that Darrow based his submission to Parker Brothers on designs by several other people of a number of similar games, most notably
The Landlord's Game by
Elizabeth Magie Phillips.
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